Unconventional Blue and White Lanterns Draw Criticism Amid Traditional Expectations
The colors traditionally associated with Lunar New Year celebrations are red and gold, signifying good fortune and happiness. However, the appearance of blue and white lanterns at the Sydney Lunar Festival has raised concerns, especially as trees in the area were draped in white cloth. In Chinese culture, these colors, particularly white, carry negative connotations, being linked to funerals and death.
This year’s choice of colors has prompted backlash from some members of Sydney’s Chinese-Australian community, as reported by the South China Morning Post (SCMP). Artist Susan Chen, responsible for the lanterns and the accompanying art installation, has defended her vision, stating it is “entirely appropriate.”
Chen’s installation, titled “Contained,” aims to reflect the duality of the tiger, a symbol of strength and positive energy in Chinese culture. She explained, “In 2022, the tiger is associated with the water element, which represents yin, contrasting with the tiger’s inherent yang characteristics.”
Despite her intentions, some community leaders worry that the aesthetic choices could deter visitors from the festival. Helen Sham-Ho, Sydney’s first Chinese-born elected MP, expressed frustration, saying, “People are saying they don’t want to visit Chinatown because it feels like a funeral.” She characterized the installation as “a laughing stock” and mentioned that, following discussions with the city council, the tree wraps were removed, although the lanterns themselves remain.
Businessman Richard Yuan also voiced his disapproval, asserting, “I never thought these colors were fitting for any Chinese celebration, let alone for New Year. White and blue are associated with funerals in Chinese tradition, which brings bad luck.” Another netizen echoed this sentiment on the City of Sydney’s Facebook page, lamenting the choice of colors.
In her defense, Chen stated, “While it may seem unconventional for the Lunar New Year, this palette is rooted in traditional Chinese motifs and suitable for the themes explored in my work. It’s an effort to modernize and expand the traditions surrounding the festival, welcoming new narratives and experiences.”
In an article published on January 31 in the Australian Arts Review, Chen discussed her desire to showcase a softer representation of the tiger, especially given the challenges brought about by the Covid-19 pandemic. “Tigers can embody grace, calmness, and beauty. With so many lives turned upside down, I aimed to find tranquility and balance while representing the water tiger through traditional vases and urns from Chinese culture,” she explained.
Chen hopes that her display will not only attract visitors back to the area but also encourage them to support local businesses. “The past few years have been tough on various levels, both economically and due to the racism that has unfairly targeted Asian communities throughout the pandemic. I aspire for this project to promote unity and hope for the future,” she added.
